OBJECT     AGENCY

O
Gaetano Pesce, Prototipo Fioca Vase, 2000s Fish Design, Italy

Hand-poured resin in amber with ruby legs. Dual maker’s marks—“Gaetano Pesce” on one foot, “Fish Design” on the other—indicating early prototype production. The amber-to-ruby gradient demonstrates Pesce’s interest in chromatic transition and material honesty. Each example is unique due to intentional variations in the casting process.
Perfect condition.Height: 35 cm

€3,800
Pair of Murano Glass Vases, attributed to Barovier and Toso, 1940s Italy

Clear crystal with hand-blown zanfirico technique—twisted ribbon canes forming continuous diamond lattice. At 27cm height, these represent ambitious scale for this complex method, which requires multiple maestri working simultaneously. The architectural form with faceted peaks demonstrates Murano’s postwar technical confidence.
Studio cut-out notch on base. Perfect condition.Height: 27 cm | Width: 25 cm

€3,200 for the pair

Luigi Caccia Dominioni, Monachella Wall Sconce, 1980s Azucena, Italy

Smoked glass dome with polished brass mounting brackets. Dominioni’s Monachella exemplifies his architectural minimalism—clean geometry, precise material junction, and restrained elegance. At 50cm height, this represents the larger scale of the model.
Glass in perfect condition. Brass with minor patina consistent with age.Height: 50 cm

€3,400
SOLD

Luigi Serafini for Kundalini, Kara Hand Lamp, 1990s Italy

Resin hand in rare mint slash celadon green colorway. Serafini’s surrealist table lamp—part sculpture, part functional object—reflects his interest in biomorphic forms and playful utility. The green resin is significantly rarer than the standard clear or white production models.
Perfect condition. Fully functional.Height: 36 cm

€850
Pair of Empire Candleholders, 1880s France

Bronze with architectural ringed columns on circular bases. Classic neoclassical Empire proportions—restrained ornament, balanced form. The patina suggests age-appropriate oxidation consistent with late 19th-century French decorative bronzes.
Good vintage condition with natural patina.Height: 24 cm

€1,400 for the pair
Brutalist Mirrored Tray, 1970s Germany

Chrome-plated steel with mirrored base. Concentric ring construction demonstrates German brutalist interest in industrial repetition and geometric rigor. The substantial scale makes this a functional sculptural object.
Perfect condition—mirror and chrome intact.44 cm x 30 cm x 8 cm

€750


Bullicante Murano Glass Candleholders, attributed to Archimede Seguso, 1970s Italy

Ruby red glass with controlled bullicante technique—precisely distributed air bubbles creating internal luminosity. The flowing, organic form with applied clear glass handles demonstrates Murano’s postwar mastery of hot-working techniques. Attribution based on construction method and studio notch, consistent with documented Seguso works from this period.
Perfect condition.Height: 22 cm

€1,100 for the pair

 
SOLD

Brutalist Iron Candelabrum
Fernando Bermejo, Table Lamp, 1970sAtelier piece, Spain

Hand-painted black metal with red geometric motif on pyramidal shade. Atelier work from Bermejo’s 1970s series—individually painted, making this a unique example rather than production. The severe geometry and hand-applied pattern demonstrate Spanish brutalism’s dialogue with craft—industrial form meets artisanal execution.
Perfect condition. Original wiring.Height: 46 cm | Shade: 46 cm

€4,200


Wall Sconce, attributed to Wim Mulder Atelier, 1980sThe Netherlands
Sculptural metal with black lacquer finish. The organic, cage-like form demonstrates Dutch brutalism’s interest in handcrafted metalwork—each piece individually formed and welded. Attribution based on construction technique and stylistic consistency with documented Mulder Atelier works from this period.
Excellent condition with minor age-appropriate wear to lacquer.Height: 25 cm | Width: 31 cm | Depth: 23 cm

€1,800
€2700

Postmodern chair Hydra by Roberto Sempirini for Sintesi 
Italy
1990s

Brutalist metal wall plate 1978 Spain

Hammered brass with repoussé mythological scene female figure and stylized bull. Spanish craft workshop revival of traditional metalworking: hand-raised form, hammer-textured surface, relief work executed while metal remains hot. At 49cm diameter, this demonstrates substantial technical command maintaining proportion and detail across large-scale repoussé requires mastery.
Part of post-Franco cultural renaissance recovering artisanal techniques.
Signed “Taller de la Torre” on reverse. Excellent condition with natural patina.

Diameter: 49 cm

€1,300
Fontana Arte, Sputnik Chandelier, circa 1960 Italy

Chrome frame with twelve cut glass elements in aqua. Fontana Arte’s Sputnik series exemplifies Italian mid-century lighting design—sculptural presence meets precise glasswork. The faceted glass creates dynamic light refraction while the radiating arms demonstrate the period’s interest in atomic-age forms.
Perfect condition. All original glass elements intact. Chrome with natural age-appropriate patina.Height: 80 cm (when hung)

€2,800
Table Lamp, attributed to Kalmar, 1960s Austria

Cast bronze with stacked spherical forms. The weight and surface reveal hand-casting—each sphere individually formed, then assembled. Natural oxidation creates depth across the bronze, emphasizing the sculptural mass. Austrian metalwork from this period understood material honesty: heavy because bronze is heavy, textured because casting leaves traces.
Excellent vintage condition. Original wiring, fully functional.Height: 37 cm (without shade) | Base: 18 cm diameter | Weight: 4.4 kg

€1,300
Cattelan Italia, “Nuvola” Modular Shelving System, 1990s-2000s Italy

Aqua glass shelves with metal wall-mounting system. Two-section modular configuration—140cm and 50cm sections creating flexible spatial composition. Five floating glass shelves create the “cloud” effect that gives the Nuvola its name. The transparency and color add sculptural presence without visual weight.
Perfect condition. All glass and hardware intact.Main section: 140 cm (w) x 157 cm (h) x 40 cm (d)Secondary section: 50 cm (w) x 157 cm (h) x 40 cm (d)5 shelves total

€1,600
Luigi Serafini, “Suspiral” Chairs for Sawaya & Moroni, 1980s Italy

Pair of wrought iron chairs with glass seats. Serafini’s theatrical scrollwork backs reference Italian horror aesthetics—surrealist, slightly sinister, entirely seductive. The transparency of the glass seat against the sculptural iron frame creates visual levitation. Confirmed by Sawaya & Moroni as authentic Suspiral model.
Very good condition. Iron frame with natural patina, glass seats perfect.Height: 102 cm | Width: 40 cm | Depth: 40 cm

€3,600 for the pair
Pair of Art Deco Sculptural Wall Objects, France, 1930s

Original Streamline Moderne plaster sconces reduced to pure geometry. Fluted verticals resolve into a rhythmic triple-wave : disciplined, aerodynamic, timeless.

Architectural in scale, they operate as autonomous wall sculpture. Shadow defines the relief; light sharpens the curves. Cast plaster with original E27 sockets retained.

Very good condition. Sold as a pair.


€2800























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